Working in the interdisciplinary fields of music theatre, sound art, and media art - and often directly within the undefined grey areas between them - my artistic practice begins from a close, physical encounter with a given material or topic. This has led me to develop mostly self-taught practices in areas such as lutherie, robotics, and filmmaking, fields that lie outside my formal background as a composer and electronic musician. Approaching these fields as both artist and engineer, I aim to interact more directly with the material and ecological conditions of our world, and to create inseparable layers between sound, design, technology, and nature.

I love sci-fi, catchy songs, electronic circuits, the early Romantic period, and mountain maps - and I have a habit of re-contextualising the historical layers of my materials through the lens of my everyday life surrounded not only by humans, animals, and plants, but also by digital noise, machines and electricity. While a do-it-yourself approach is central to my practice, so is collaboration, which plays a part in almost every project I undertake, from my involvement in multiple artist collectives to my music theatre ensemble COCAINE HIPPOS in which I also perform on stage myself.

After graduating in 2016 from the Hochschule für Musik und Theater München with a bachelor's degree in Composition, I spent a year in Paris, studying with Jean-Luc Hervé. I then continued with a master's in acoustic composition under Beat Furrer and Clemens Gadenstätter at the Kunstuniversität Graz, followed by a second master's focusing on music theatre and sound art at the Hochschule der Künste Bern, under the guidance of Simon Steen-Andersen and Cathy van Eck. In 2023, I was selected for the Biennale College Musica at the Biennale di Venezia and became a research fellow the same year in the Emerging Artists-Researchers Pre-PhD Program at the Institute for Computer Music and Sound Technology at the Zürcher Hochschule der Künste. I was later able to return to Paris as a participant in the 2025 edition of the IRCAM Cursus program in composition and computer music. Since 2026, I live and work in Bern, Switzerland.

During my education as a composer, I had the privilege of meeting formative mentors and artists to whom I owe a great deal, among them Salvatore Sciarrino, Miller Puckette, Jacques Rémus, Pierre Jodlowski, and, most recently, Clara Iannotta. My music has been performed at festivals such as the Darmstädter Ferienkurse, the Elbphilharmonie Hamburg, Q21 im MuseumsQuartier Wien, La Biennale di Venezia, ECLAT Stuttgart, and IRCAM Paris, has received multiple awards including a prize from the Augsburger Philharmoniker and the Prix Alain Louvier from the Cité Boulogne-Billancourt (2017), and has been supported by the Fondation Jan Michalski, Fundaziun Nairs, the Ernst von Siemens Musikstiftung, as well as by the Swiss Arts Council Pro Helvetia. I have also had the pleasure of working with musicians and ensembles such as the Neue Vocalsolisten Stuttgart, Decoder Ensemble, NEKO3, Florentin Ginot, Sarah Aristidou, Aldo Campagnari, members of Klangforum Wien, and Les Percussions de Strasbourg, as well as with many friends and colleagues, among them my long term collaborators and ensemble colleagues Bernat Pont Anglada and Mireia Pellisa Martin.